Category: Books Page 17 of 19

I wanted to let everyone know that my book is out. Oh, not a book that I have written, but the book that is all about me.

Now, of course, fans will expect such a book to be titled GREENWALD: a life lived to the glory of God.

Of course.

But I suppose the editors and publisher decided that that title was a bit too over the top for someone as humble as me, and so, instead, they titled it Counterfeit Gods.

It’s pretty cool to have someone as prominent as Tim Keller write a book about me. But life is like that, isn’t it? Full to the brim with amazing surprises.

Discerning readers of the book will notice that Keller keeps my identity obscured. He never mentions me by name. He writes rather about Jonah (a man in love with his race and place) and Jacob (a man seeking for blessing from a woman and a father) and Zaccheus (a man for whom material possessions provided all the comfort he thought he needed). So, stepping around the true subject of the book, he never mentions me directly. But make no mistake about it – he is writing about me.

It’s not quite what I expected in a book about me. I thought there’d be more flattering stuff, more about the glories of my high school career, more about my dynamic love life, and more about my financial acumen. The subtitle kind of puzzles me as well: “The Empty Promises of Money, Sex, and Power, and the Only Hope That Matters.” (That must have been the product of a bored editorial assistant, something he stuck in there when the principal editors were not looking.) Though the book totally overlooks my stunning pastoral career, it does quite a job of shining a light into the convoluted inner world of this pastor’s heart.

So, I think you’ll agree, should you take the time to read this book. “This is,” you will say, “a book about me.”

I need your help. I need someone to recommend to me the best biography of Shakespeare for me to read.

My degree from Michigan State University is in English Education, a degree which, sadly, required me to read absolutely NO Shakespeare.

Currently I’m reading a bio of Billy Strayhorn. Raise your hand if you have ANY idea who Billy Strayhorn was. Anyone? That’s what I thought. That’s why God invented Wikipedia and Google!

Strayhorn did not have the benefit of a college education, but did not need that to come to knew enough Shakespeare to quote him and to write a jazz suite around Shakespeare’s works, performed by the Duke Ellington Orchestra at an early Stratford Shakespeare Festival.

Admittedly, Strayhorn was a genius. But this non-genius former English teacher turned pastor would like to patch some holes in his education.

So, I repeat, anyone have any recommendations of a really good bio of Shakespeare?

This past Sunday night, Hope Presbyterian Church, the church I pastor, shared a worship service with our friends at St. Paul Missionary Baptist Church. We will do the same this Thursday, Thanksgiving morning, which is for our two churches, an annual affair. Hope is predominantly white; St. Paul predominantly black.

As much, though, as we enjoy these times of cross cultural fellowship, we all are realistic enough to know that our worlds, black and white, are simply intersecting at these times. We do not live in each other’s worlds, and we don’t understand each other’s worlds.

To cross that bridge to understand would require a type of immersion that few of us will ever experience. To read about one who made that transition cracks a window into that world, ever so slightly, and yet positively so.

A few months ago, in a random conversation with a woman at a Starbucks, a woman, recently retired as a librarian at a local high school, directed me to a book which is apparently often assigned in schools. The book is called The Color of Waterand subtitled “A Black Man’s Tribute to His White Mother.” The subtitle captures what the book is about.

James McBride is a journalist and musician who is one of twelve children born to Ruth McBride Jordan. Ruth was born Rachel Deborah Shilsky. She was raised by her Jewish parents (her father was a rabbi turned shop keeper) in a Virginia town that did not like Jews any more than it liked blacks. Rachel was so traumatized by the experiences of her childhood, not the least of which being her domineering, abusive father, that she would never speak of it, until prodded by her grown son.

When she married a black man, this white Jewish girl was considered dead to her Jewish family. Changing her name to Ruth, to obscure her background, the couple moved to New York and began to raise a family. Her husband died after 16 years of marriage, but not before Ruth came to trust in Jesus, a trust that was real and sustaining for her (and celebrated in the book). In that time the couple jointly founded a church which her husband pastored and, along the way, they became the parents of a brood which would eventually number 12 (some born to Ruth’s second husband).

The family was raised in the neglected projects of NYC, but Ruth was a woman who would not allow that to be the downfall of her children. Taking advantage of every cultural offering one could grab and using every tool available to get her children into the best possible public schools, this woman made it happen. Though she lost direction after the death of her second husband, all of her children not only went to college, but two became doctors and one a PhD professor chemistry, along with the journalist-author, nurses, and other professionals. It’s an amazing, though often sad and painful story.

I will never enter that world. I will never be black, or Jewish, or amazingly both at once. I will never know the anguish of living in fear simply because of the color of one’s skin or the ethnic heritage one has inherited. I will never know the racial confusion that one raced in this setting is forced to confront.

But this is one of the reason we read books. McBride has cracked the window to allow me to peer into his experience and that of his mother, to glance at their worlds. If this helps me to better understand the worlds of those friends with whom we worship on Thanksgiving and other times, then the read has been worth the time spent.

On November 4, 2009, a very, very unusual thing occurred in the Greenwald household. I turned off a World Series game in progress, choosing rather to return to a book I had begun a few days earlier. An unusual act for an unusual book.

For months, a friend had been assuring me that I would absolutely love a book called The Elegance of the Hedgehog. I trust her judgment, but still. “The Elegance of the Hedgehog”? What kind of a book is that?

I’m still not sure I can tell you.

TEotH, as I shall call it, is a book that blends the stories of two disparate characters living in a wealthy Paris condominium. Renée, the concierge (the caretaker) lives in the building, but possesses a social status that falls way below that of the very wealthy residents. She is 54, widowed, stout, and insecure. Paloma is the twelve year-old daughter of one of the wealthy residents, who already knows how she intends to die. What they share in common is an innate intelligence and perception which they hide from everyone else.

The author, Muriel Barbery, tells the story in the first person through the eyes of both characters. We come to know each remarkably well, and the worlds they inhabit. Increasingly, those worlds begin to overlap more and more and in the end, each has a profound impact upon the other, and upon the reader as well.

* * * * *

Years ago when I saw the movie Mr. Holland’s Opus I wiped the tears from my eyes knowing that my emotions had been manipulated. I did not care because the movie made me happy. Most of the time when a popular creative work evokes tears, those tears have been manipulated. Sentimental strings have been pulled and the aimed for response predictable. The creator knows that, for example, if he includes a scene of reconciliation between a guy and his dad, tears will flow, because most guys long for that reconciliation. The tears have nothing really to do with the story or the characters in the story, but with the emotional realities of the audience.

I had a deeply emotional response to this book, but it was not manipulated. It was because I had come to KNOW these characters and to care for them. When the book ended, I was parting with people who had become real for me. That is a remarkable accomplishment for a book.

* * * * *

TEotH is part novel, part diary, part social commentary, and part philosophical treatise. As a consequence, it might be slow going at first. Reflections on Karl Marx do not usually draw in quickly those of us used to the immediate hooks of something like a Tom Clancy thriller. Readers who stay with her will be rewarded. Through these seemingly random reflections we come to know a couple of strikingly real and interesting people. And if we listen carefully, we might come to be more perceptive observers of ourselves and our own worlds.

I should add, those of you who are fans of Anna Karenina
will find a home here. Among the many references to that novel, we find that one character has a cat named ‘Leo’ and another has two, one named ‘Kitty’ and the other ‘Levin’.

* * * * *

Part of what makes this book remarkable is the fact that it is a French novel translated into English. So much of the humor of the book hinges on observations about the use and misuse of grammar and language. A joke is made that turns on a character mistaking ‘habeus corpus’ with ‘baby porpoise’. Another hinges on a misplaced comma. How the translator (Alison Anderson) brings these references from one language to another is part of the wonder of the book.

(Here is the translator’s reflections on the book one year after its English publication.)

* * * * *

The popularity of some books result from the author’s reputation. The latest Stephen King novel was the number one seller at Amazon.com a week before it was released.

A French novel in English translation by a relatively unknown author with a strange title must owe its popularity to the passion of friends insisting that friends read it. Such passion says as much about the readers as it does the book.

When I last checked, over a year after its publication it was still the 46th best selling item on Amazon.com. It has been 42 weeks on the NY Times best seller list. There is a passion for this book, though I cannot say what it is about our culture that this book has invoked.

All I know is that here I am, telling my friends to read the book. It invoked a passion in me. So, turn off the TV and read.

To use “Stephen King” and “short” in the same sentence, when short has reference to a literary work, can seem incongruous. I was enticed by a $9 prepublication offer on Amazon.com to order his recent novel Under the Dome whose 1074 pages showed up on my doorstep on Wednesday (and weighs in at close to four pounds). Short, it isn’t.

King, however, is a student of the short story (and a practitioner of the craft), as he revealed in an essay for the NY Times Review of Books published two years ago entitled “What Ails the Short Story”. (Residents of Sarasota and Bradenton take note that when he says, “I want to begin by telling you about a typical short-story-hunting expedition at my favorite Sarasota mega-bookstore” King is, as a resident of Casey Key, referring to the Barnes and Noble on S. Tamiami Trail.)

I thought of this essay this afternoon after I finished reading a story and was reminded what a unique art form it is. I do not understand enough to explain how a short story differs from a novel; I am just clear that it does.

The story I read was called “Perfection”. It appears in a collection of short stories called The Pacific and Other Stories by Mark Helprin.

This is a story about a young Hasidic Jew who in 1956 determines to bring order and justice to a world in which he had witnessed the death of his parents in a German concentration camp. The way to do this is to join the NY Yankees and with the likes of Yogi Berra and Mickey Mantle looking on drive 2000 balls on 2000 pitches out of Yankee Stadium.

I know. It’s crazy. But somehow the story works. The border between reality and fantasy is blurred, and one is drawn into a world where such things are possible. It works like a short story should. It is sparse and compact and full of sentences and words that have to be pondered, much like poetry.

This is perhaps why the form has lost some of its favor. It requires time, reflection, consideration. King refers to the books at the front of the mega-store, including his own, as mostly ‘disposable’. The well composed short story cannot be so cast aside. It worms your way into your soul and forces reflection. I, at least, need more of this in my literary diet.

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The picture here is taken from Helprin’s web site and is an image of the first draft of one of his stories. Handwritten. So quaint.